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SARA OSCAR
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SARA OSCAR
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Work
Writing
About
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Store
AI, photography and memory-work, The Conversation, 29 April 2024

AI, photography and memory-work, The Conversation, 29 April 2024

Is Dune an example of a white saviour narrative – or a critique of it? The Conversation, 20 March 2024

Is Dune an example of a white saviour narrative – or a critique of it? The Conversation, 20 March 2024

Curious Spectatorship in the Age of Deepfakes, Digital Creativity, 2023

Curious Spectatorship in the Age of Deepfakes, Digital Creativity, 2023

On art and the White Lotus, co-authored with Cherine Fahd, 2022

On art and the White Lotus, co-authored with Cherine Fahd, 2022

On David Claerbout's photo-filmic strategies, 2020

On David Claerbout's photo-filmic strategies, 2020

On mothers, co-authored with Cherine Fahd, 2020

On mothers, co-authored with Cherine Fahd, 2020

On photography and empty places in the time of coronavirus, co-authored with Cherine Fahd, 2020

On photography and empty places in the time of coronavirus, co-authored with Cherine Fahd, 2020

On photography and catastrophe, co-authored with Cherine Fahd, 2019

On photography and catastrophe, co-authored with Cherine Fahd, 2019

Becoming a camera: on Joanna Zylinska's Nonhuman Photography, 2018

Becoming a camera: on Joanna Zylinska's Nonhuman Photography, 2018

AI, photography and memory-work, The Conversation, 29 April 2024
Is Dune an example of a white saviour narrative – or a critique of it? The Conversation, 20 March 2024
Curious Spectatorship in the Age of Deepfakes, Digital Creativity, 2023
On art and the White Lotus, co-authored with Cherine Fahd, 2022
On David Claerbout's photo-filmic strategies, 2020
On mothers, co-authored with Cherine Fahd, 2020
On photography and empty places in the time of coronavirus, co-authored with Cherine Fahd, 2020
On photography and catastrophe, co-authored with Cherine Fahd, 2019
Becoming a camera: on Joanna Zylinska's Nonhuman Photography, 2018